Dreaming in Character

G.L. Jackson


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Meet Me in Denver

Will any of you be in Denver in July for the RWA National Conference? If so, please find me and say hello! I’ll be the one with the short hair [subtext: look for my badge] staying at the hotel.

Seriously, though, I would love to meet up with people. Those of us from All The Kissing are having an event (that makes it sound so formal! It’s a drop-in-and-say-hello thing) on Friday, July 20 at 8pm at 16Mix inside the downtown Denver Sheraton. There…um…might be some swag to give away too, if that’s a motivating factor for you. Here, have some details.

If you can’t be there, stop by and say hello at the Golden Heart® Ceremony luncheon on Thursday afternoon! The vegan option last year was very tasty, but I might be too filled with nerves to eat my lunch this time.

One thing is certain: I will be so delighted to put names with faces, faces with names, faces with voices and Twitter handles, share a few laughs, and enjoy every last moment.

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Be Brave With Me


Photo on VisualHunt.com

Being brave means to know something is scary, difficult, and dangerous, and doing it anyway, because the possibility of winning the fight is worth the chance of losing it. –Emilie Autumn

Every author knows there are millions of reasons not to share our writing with the world. It’s not polished enough. Some people won’t like it. No one’s reading this kind of thing right now. I’m not sure I’m ready to share it. I might want to change it.

The list goes on and on.

When I first started writing, the very thought of letting other people actually read my words was chilling. In a way, it’s like opening your soul and letting others in. I think it’s the same for most creative pursuits, but since I’m a writer that’s the one I can best speak to. We really do pour our hearts out on the page. With romance in general and steamy scenes in particular, there’s always this moment where I have to disassociate the words on the page from the author doing the writing. I’m sure everyone wonders, especially at first, how much (or little) others will think of them when they read the intimacy between characters. How much does the author draw from their own lives? Where does the line between fiction and reality get drawn?

Just like everything else, we make up the reality of those steamy scenes. Just like everything else, there’s undoubtedly a basis in reality. Or at least a basis in imagination. That’s the key, that last bit: we imagine what it is like for our characters. We’re not transcribing our own lives on the pages any more than JK Rowling transcribed her own school experiences into Harry Potter or Robert Ludlum underwent secret government manipulation to write about Jason Bourne. We’re authors. We make things up.

But making things up still provides a window into our souls, even though it might be shuttered rather than wide open. And that means that one of the hardest things for most writers to do, especially in the early stages of their writing, is to share their work.

Writing is an isolationist sport. We do it alone. We even have the term “writing cave,” as if we need to prove that it’s a solitary pursuit. We spend so much time living in our minds, pouring thoughts out onto the paper or screen. The thought of inviting someone else in to share what we’ve created can be so scary.

As Emilie Autumn says, it’s scary but we do it anyway. We have to: if we want to succeed in the world of publishing, people will be reading our words. The sooner we get used to the idea that others, sometimes countless others, will read our words is a good thing. Does that make it any less frightening?

No. But we have to suck it up and share, because a novel sitting on a hard drive where no one can see it is one less novel out there in the world. It might be the best thing ever written, but if no one reads it, no one will ever know.

Lucille Ball said I’m not funny. What I am is brave. She also said ability is of little account without opportunity.

All I can say is take the opportunities as they come by. If I hadn’t taken the opportunity to enter Pitch Wars back in 2016, I wouldn’t be where I am today. If I hadn’t taken a leap of faith and entered the Golden Heart® contest this year, I wouldn’t be a finalist. Does it get easier? Of course. We writers have to have thick skins. Suits of armor sometime. Still, I hope I never get to the point where I read something I wrote, sit back and rub my hands together, and say yeah, that’s great. I want to always hold onto a modicum of humility, because I’d be nowhere without the people who were kind enough to read for me once I finally got brave enough to start putting my words out there. They’re the ones who encourage me. They’re the ones who give me the confidence to reach for the stars. And they’re the same ones who are there to pick me up and dust me off every time I fall.


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Happy November! That Means NaNoWriMo.

I usually approach National Novel Writing Month with a combination of excitement and dread. I’m never sure which is more appropriate but one thing is certain: it’s always exhilarating.

Writing whenever the mood strikes.

Me, hard at work. Photo via Visual hunt

Last year I worked on a novel right on the heels of Pitch Wars. To say I was burnt out is an understatement. Reworking a novel in a couple of months is no mean feat, much less preparing for the agent round, which always coincides with the start of NaNoWriMo. This isn’t a complaint, though. I learned so much from Pitch Wars, particularly about my weaknesses as a writer. For one thing, I’m not much of an on-paper plotter. I know where a story is going in my brain, after a vague fashion, but putting it down in an organized fashion makes me want to tear out my hair. I had to do it for Pitch Wars, but now that I’m on my own I’m free to own my bad habits, as long as I recognize them.

We hear a lot about the two main types of writers (plotters vs. pantsers). At this point I’m a hybrid between the two. I know where a story starts, where it wants to end, and a few of the most important plot points in between. I’ve also written (and rewritten) enough romances to have a fairly decent feel for where I am in the story at any given moment.

I’m also a bit of a rebel, and like to break the rules. Not all of them, because romance novels need to have a certain reliable emotional sequence in order to work. Just because standard wisdom says the characters shouldn’t have sex before the 50% mark doesn’t mean that works with all characters in all settings.

I’m proud to announce that today, on Day 1 of NaNoWriMo, I managed to get an intimate scene in there. To be fair, I wrote the first chapter of this book previously (don’t worry, I’m not cheating by including that chapter in my word count), so I have a small idea about my characters and their emotional makeup. Also to be fair, this is the third book set in a specific world. That also goes a long way toward making the words flow more easily–I don’t have to reinvent the wheel. Most of the characters are new, which is fun. One is an old favorite who’s evolved so much over the course of the first two books that he’s a pleasure to write, even if he’s only really evolved in my brain. But that’s why we write! To get the stories out of our brains and onto the page.

I’ve also just begun querying my last book (not last year’s NaNo novel, that got scrapped but served as good groundwork for the one I’m shopping, which I wrote in a personal May-June version of NaNo, then edited to the ground). I see November as three things: writing every day (something I learned how to do from my very first NaNo experience), researching agents and sending query letters (something I got really good at after Pitch Wars), and getting into the groove with the website a bunch of us have been working on (All The Kissing – by romance writers, for romance writers). Ultimately, that means it’s shaping up to look like a normal month.

But I have my NaNoWriMo buddies to cheer on, and to cheer me on. It’s so much fun!

Tell me, how are all of you? What are you working on? How’s autumn treating you?


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Romance Query Critique Giveaway

Hi there, fellow writers. Are you writing romance? Getting ready to query, or not sure about the query you’re sending out? Would you like a little feedback?

If the answer to any of them is yes, here’s a query critique giveaway for you. It’s open until October 22. If you have any questions, ask away.

Enter here.

Query Critique Giveaway!


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Eight Things I’ve Learned About Writing a Novel

A year ago, I was about a month away from tackling yet another rewrite on my little rock & roll romance/women’s fic novel. I knew I needed to revise it heavily, but shit, I’d already rewritten it a bunch of times over the course of a year and a half. I knew I wanted to change it up one more time (hey, four is a good number), strip out all but one POV, and punch it up a bit romantically.

Then something happened that changed my writing life: I opened up a copy of Romance Writer’s Report and found an article by a category romance writer. She outlined a basic 55,000-word romance novel beat sheet. I read it, told myself “hey, I can do that with this book!” and got to work. I overshot the 55k by about 10,000 words but when I was done, I had an adorable and sweet little novel that actually flowed. It worked. The pacing was great.

I entered it into Pitch Wars in August.

To my great surprise, my novel made it into the contest. This was the same book that was rejected the year before…but really, it wasn’t the same story at all. It had some of the same characters, but it was wildly different from the previous year’s draft (which I found out belatedly had been under serious consideration but ultimately was rejected because it wasn’t ready).

Funny thing about rejection: it doesn’t sting as much when it turns into an acceptance. My mentor had seen the story the year before and one of the things that helped nudge her in my direction was the scope of the revision. She’d seen that I was able to take something that didn’t work and turn it into something that was a lot closer to working, and she also knew I was neither afraid of nor averse to rewriting. Score one for me!

It’s been a while since I was in the heat of Pitch Wars, but I want to talk a little bit about the things I learned going through the process.

1. Waiting can be excruciating (but patience is a virtue).

But we’re writers, a lot of us querying writers, so we already know this lesson. A sub-lesson is never make assumptions. Odds are the moment you’re convinced you’re going to be accepted/get into a contest/get a request for pages/get an offer of representation, the exact opposite will happen. Lesson learned: wipe that smug little smile off your face and go about your business, Gwynne. You’ll be much happier.

2. Being accepted comes with its own set of interesting circumstances.

Only so many people can ever get into a limited acceptance contest like Pitch Wars. I did. My critique partners didn’t. This effectively put a wedge between what I’d been working on with them and what I needed to work on for Pitch Wars. I only had a month and change to revise my novel, and that meant little to no time to read for anyone else, much less have time to make viable critiques. Could I have managed my time differently? Sure, but it actually worked out for the best.

The Pitch Wars Class of 2016 is a great group of people and we will always be members of this exclusive club together. I’ve made lots of new writing friends, found critique partners actually writing in my same genre, and have been able to share successes and failures with them all.

3. There are no guarantees.

Right after the agent showcase, a lot of people attracted a lot of agent attention. A lot of Pitch Wars people were signed right away. A lot of us haven’t found agents yet. What does this prove? Even getting into a prestigious contest like Pitch Wars doesn’t mean it’s a path to instant fame and fortune (unless you’re Tomi Adeyemi–beautiful outlier, you!). This goes back to what I consider Every Writer’s Words of Wisdom: no one path is like any other. Some people have the story everyone’s looking for. Other people have the story it’s going to take longer to place. That doesn’t mean one is fantastic and the other sucks. It just means the ones that got scooped up right away are the ones that got scooped up right away.

4. Get used to the sound of an ego deflating.

No manuscript is perfect. They all need work, revision, rewriting. Mine went from 65,000 to 91,000 words over the course of my insanely feverish September 2016. I was a little bit smug going in. Imagine the smile dropping from my face when my mentor (the fabulous Mary Ann Marlowe, whose debut novel Some Kind of Magic just came out in January–you should all read it if you haven’t) said “you have a pretty good story. But it’s not a romance.” But what do you mean, Mary Ann? There’s love! There’s conflict! There’s a Happily Ever After!

I’ve learned so much about the structure of a romance novel from this contest and I’m forever grateful. Like a lot of first-time romance authors, I had the cocky notion that the classic romance formula was, well, tired, and I could show the world how it could be redone in a better way. Wrong! The formula exists for a reason. That doesn’t mean it has to be adhered to rigidly, but the basic tenets of a romance have to be included, even if the author messes with the order or placement of those tenets. Romance readers have expectations, and if the author doesn’t satisfy the expectations, it’s not a romance novel. End of argument.

5. Writing query letters doesn’t get easier.

But we can learn to become more effective at writing them, and at writing a synopsis.

Just a few weeks ago I had to take my three-and-a-half page synopsis and distill it into one page. With a little merciless slashing-and-burning, I managed to do it.

6. No word is sacred.

Murder your darlings, they tell us like it’s so easy. You know what? It is easy, but it requires a moment’s distance from our writing and a healthy dollop of dispassion. Things will fall by the wayside. Sometimes they’ll be our favorite things, the ones we swore up and down were fundamental to the story, without which it couldn’t go on. Nope. None of that is sacred. As Mary Ann advised when I lamented losing a whole series of scenes, I could have a mock funeral for them and send them on their way. I did. Guess what? The story is much stronger without those favorite scenes bogging it down.

Ultimately, crafting a novel relies heavily on the art of letting go.

7. Never stop writing.
Write, write, and write. When you think you’re done, start something new. While you’re querying, keep writing. While you’re researching agents, keep writing. While you’re waiting with bated breath to see if any of the agents who’ve requested your story will respond–and if so, favorably–keep writing. The only way to become a better writer is by writing. That’s all there is to it.

8. But don’t be afraid to give yourself a break.

Sometimes, a vacation needs to be a vacation. I did something last month I’d never done before: went on vacation without my laptop. This was actually incredibly liberating. It allowed me to relax, enjoy myself, and refresh. When I got back I had so many writing ideas juggling to get out on the page that I started a writing spree and now I’m about to write the last scenes of my book. I wouldn’t be here if I hadn’t allowed myself some time off to recharge.

And that’s all she wrote.
Of course, there’s more. I could go on and on. Ultimately, no writer’s path to success is the mirror image of any other writer’s climb up that mountain. This is all just my experience, and one I’m so grateful to have had.

And now I’m off to write the final chapter for the sequel to my Pitch Wars novel. I know, I know, we’re not supposed to write sequels if we haven’t sold the first one yet. What can I say? It’s the story that wanted to be told, and even with everything I’ve learned, I still like to buck trends and test new waters. Happy writing, everyone!


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Full Disclosure

…I just realized that would be the perfect name for this book I’m writing. Wow. I might have to use that.

My full disclosure, though, was over the fact that against my better judgment, the story I’m writing is a love triangle romance. I’ve tried writing romances before and have failed. As a writer I have a much more evil streak than I do as an everyday human being. I like to put my characters into all manner of peril and tighten the ropes around their necks. It follows that most of my stories take a twist to the dark side of human emotions, and that doesn’t make for a very happy happily-ever-after or happy-for-now conclusion.

The task I’ve set for myself with this one is to let it be complicated but not unnecessarily ugly, to let the characters be themselves without me forcing them into contrived situations. It’s always seemed to me that falling in love is a perilous enough thing, and managing to stay in love is even more difficult. For my protagonist, that emotional journey is just as fraught with peril as the process of learning to be an adult. No, I’m not coupling a coming-of-age story on top of this. Enough’s enough, and my protagonist is in her early twenties already.

There will be no half-naked men with overly sculpted abs on this front cover. No werewolves, vampires, wizards, zombies, or other paranormal beings (although I reserve the right to use a good old-fashioned ghost if need be). There’s no time travel, no alien from another galaxy. Just humans being spectacularly human, and what I suspect could be classified as a moderate degree of heat.

I’m not sure I know what I’m doing, but I’m having a lot of fun finding out whether or not I’ll succeed. At least my characters have all started springing nicely to life, with distinct personalities, quirks, wants, and needs. I can’t ask for a whole lot more than that!

Fellow writers, how’s your work going? Most importantly, are we having fun yet?